The Eber Ward sits in 140 feet of water on the Lake Michigan side of the Straits of Mackinac. The ship is a highlight of the Straits of Mackinac Shipwreck Preserve. |
Andy Morrison shoots a self portrait as he swims with the fishes at Gilboa, Ohio. |
Andy Morrison |
There's an understood theory
amongst photojournalists that we all need personal photo
stories/projects/hobbies to help keep us motivated.
Some choose long-story
documentaries, while others like Instagram.
Whatever it is, our own personal
photo projects help us escape from the drudgery of daily assignments.
Our own projects also allows us to control our content; allows us to
follow our hearts; inspires us to shoot topics that interests us all
the time.
For this month's Q&A, I spotlighted Toledo Blade photojournalist Andy Morrison, who is gaining
quite an impressive reputation for shooting ship wrecks in the Great
Lakes.
I've always been impressed with his
nature photography, but it's his diving photography that really
fascinates me... maybe because diving into the depths of pitch black
water scares the hell out of me!
He recently had a Toledo Blade
magazine page dedicated to a recent ice
dive in Lake Erie. This photo page, published
March 2, prompted me to ask Andy the following questions:
Q: How and when did you get into underwater photography?
Q: How and when did you get into underwater photography?
A: I was certified to dive in
2000, and wanted a hobby away from my daily job as a photojournalist.
I quickly realized I needed a camera to show friends all the cool
things I was seeing underwater. Diving helped me discover I'm not
comfortable being without a camera no matter where I am. I had my
first story published in 2006 and have been a regular contributor to
diving magazines since. I mostly work with a writing partner but have
written some of my own stories.
Q: What led you to specialize
in ship wreck photography around the Great Lakes?
Divers explore the Dunderberg, 155' deep in Lake Huron near Harbor Beach, MI. |
Q: Is there a different
shooting philosophy to underwater storytelling compared to top side
(above water) photography?
A: Yes and no. I'm still trying
to tell a story, but it's often much harder to tell. I can't shoot
reactively as much as I do topside. The water makes all of my
movements in slow motion. At 200 feet I may only have 15 to 20
minutes to explore and get my shots, whereas at 30 feet I could have
more than an hour. Either way, my time is limited by my air supply
and decompression factors. So there is much more planning involved
with my dive buddy. But generally I try to shoot overalls, portraits
and details like I do for any assignment.
Q:
Have you ever been injured or nearly harmed on a dive?
A: I suffered a
decompression-related illness after a dive in Lake Huron once that
required three treatments in a re-compression chamber in Detroit. I
did a total of 17 1/2 hours in the chamber over the course
of three days. It's something I hope I never have to do again. We
traced the cause to an overexertion post-dive from moving my gear
from the boat, so I'm pretty careful now what I do after I dive.
Q:
What kind of equipment do you use?
A: I use Canon DSLR cameras in a
Subal housing with multiple Ikelite strobes and various other items
for shooting. As a technical rated diver, meaning I sometimes do
mixed-gas diving with required decompression, my gear is suited for
that. My standard life support is a drysuit, double 95 cubic inch
tanks, Dive Rite backplate and wing for buoyancy and Poseidon
regulators to deliver my breathing gas. It's an expensive hobby, no doubt.
Q:
What advice do you have for people who want to get into
this underwater niche?
Andy and his camera equipment in Key Largo, Fla. (Photo by Tim Grollimund) |
Q: I've seen some of your diving
photos, and I have to admit that the darkness, silence and
claustrophobic conditions were terrifying. How do you handle it?
A: It all goes back to training.
I train in the conditions I dive in so I get used to it. And I don't
dive in conditions where I'm not relatively comfortable with the
situation. I've had scary moments but I always revert back to my
mantra - "if I'm breathing I'm okay." Our water is dark
and cold compared to tropical locations, so Great Lakes divers tend
to be comfortable diving anywhere in the world. The reverse is not
always true. If you go to Mexico, for example, and boat captains
learn you are a Great Lakes diver, they realize you probably know
what you are doing.
I tend to be a bit claustrophobic,
but usually in large crowds where the nois,e as much as anything
else, makes me want to bug out. The silence underwater is my favorite
part. It's just me and the sound of my breathing. It's very Zen-like
and relaxing. It's the quietest place on earth and I crave that
silence. In fact, I hear from a lot of divers who claim to be
claustrophobic that they don't feel that way underwater.
View Andy's website at http://www.andymorrisonphotography.com/
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